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Cool News & Work in Progress

TMBTLTposter
I received word that a film that I did some Super 8 film work for has been accepted to Sundance. The documentary film This May Be the Last Time, directed by Sterlin Harjo and Produced by Matt Leach, both of This Land Films, will be shown at the 2014 Sundance Film Festival in Park City, Utah January 16-26.

Here is the announcement on the This Land Films website:
http://thislandpress.com/12/09/2013/this-land-films-premieres-this-may-be-the-last-time-at-sundance-film-festival/

Here is the short description of the film on the Sundance website:
“This May Be the Last Time / U.S.A. (Director: Sterlin Harjo) — Filmmaker Sterlin Harjo’s Grandfather disappeared mysteriously in 1962. The community searching for him sang songs of encouragement that were passed down for generations. Harjo explores the origins of these songs as well as the violent history of his people.”

My contribution to the film was minimal in terms of the overall production but I had a fun experience working with these guys, the talent and other crew. I was hired to shoot several rolls of film as a part of the film that re-created a specific historical event. I shot the film using a Canon 814 XLS and Agfachrome 200D Reversal film stock. The film was then digitally transferred and scanned at HD resolution.

I have seen the raw footage but not the final cut of the film – so I’m excited to see how the footage was integrated into the story.

Congratulations to all those involved! We’ll be watching the progress of this film to see the progress it makes.

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Super 8 Wedding Film – Lauren and Adam

This is a short wedding film I shot in October 2013 for my brother Adam and and his wife Lauren. I’ve been shooting Super 8 film for a long time now and with this film have decided that I’m going to enter the world of Super 8 wedding films. So pass on the information and if anyone out there would like to have their wedding filmed please get in touch with me. I will have a complete website with all the information soon!

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Seasonal Super 8 Throwback

I don’t know why I hang onto good stuff like this instead of putting it out when I get it. I have a bunch of Super 8 films that I shot years ago that I have yet to share. There are two films here, one is from October 2007 and one is from October 2008. Maybe I thought that I would add sound to them at some point but I never did. Instead they’ve just sat at home. I was happy to rediscover these wonderful pieces of family Americana and I am happy to share them.

I hope I don’t need to restate the importance and value of film in recording memories. The footage speaks for itself – so much more than an iPhone recording, don’t you think?

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New Super 8 Film – Art on the Mother Road: Part One

I’ve got a new Super 8 film to share. I expect this will be a multi-part film series which may culminate into a full film. If you like it please share it and pass it around. Thanks.

Art On the Mother Road from Aaron Gibson on Vimeo.

This is a short film that I shot sometime in Fall 2012. It takes place in El Reno, Oklahoma at the site of Rick Sinnett’s mural titled Guardian of the Mother Road. One of the projects Rick has been working on is painting a series of murals along Oklahoma’s Route 66 – known as the Mother Road. Each mural draws in components of the Oklahoma landscape and Rick’s representations of native symbolism and presents them in a symmetrical and colorful array. This short (one cartridge/50 ft reel) highlights Rick’s presence and pride in his work and how his art is positioned in relation to Route 66 and the open fields surrounding it.

I shot this film with a Canon 814 XL-S on Kodak 500T Negative film. Edited in Final Cut Pro 7. The music was a lucky find (creative commons licensed). Intro sound effect is my own recording of me putting a Super 8 cartridge in the camera and pulling the trigger.

Processing and telecine was performed by my friends at Yale Film & Video in Burbank, CA.

Thanks for watching.
More about Rick Sinnett (aka Mothman) and his current projects can be found online at:
http://siloartproject.com
http://mothcollection.com
and of course on Facebook, Instagram, Twitter, etc.

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Things in production…

My family and I recently took a trip east across the US – 13 states in 14 days we like to say – from Oklahoma to the Outer Banks in North Carolina and back. Along the way we stopped in Saint Louis, MO; Pourtsmouth, Ohio, New River Gorge in West Virgina, then on to Manteo in North Carolina, then back through the south: Tennessee, Alabama, Mississippi, Arkansas. It was a long trip – sometimes tough with two young ones who didn’t want to ride more than a couple of hours (or less) at a time. I took several cameras along and had the opportunity to shoot 3 rolls of Super 8 film. Also shot some video with my GoPro2 and some stills with my Nikon. I’m looking for to having the film processed and seeing how it turned out. More and more I’ve been using my old-standby MovieFlex S8 to shoot on. It’s just so easy and comfortable to use. It focuses well, the color (if it’s color film, of course) is great, and the light meter seems to adjust accurately and moreover, forgivingly. I say all of this before getting those last three rolls in the mail to see exactly how they turned out.

I had a couple of rolls processed not long ago – one was from a drive-in cinema with a miniature golf course just below the screen. I shot right at “magic-hour” on Ektachrome 100D and I have to say it’s probably some of the most beautiful color film I’ve seen – just perfect. I need to get it digitized and online.

I am working on a couple of independent projects outside of my Super 8 dabblings:
I am still working on the Oklahoma climbing documentary and hope to have some more interviews in the near future. That’s a slow going and long term project that I’m chugging away on. The other project came up recently and involves shooting some digital footage for the Silo Art Project. This is going to be a collaborative project – I think – one where I shoot and someone else edits the footage and pieces it together for a larger project. I’m not sure but I have this feeling that it’s going to turn into something. I’m just kind of free-wheeling it, not really planning or figuring anything. Just going to show up with a camera and document. it’s funny because it’s kind of how I envisioned my OK climbing doc to work but instead I feel more anxious about making the climbing doc “good” and so my up-tight-ed-ness seems to get in the way of actually accomplishing the simple act of just setting up these interviews, turning the camera on and letting the people speak. Why is that?

It’s kind of an exciting time with all this stuff going on. I’m hopefully that I will have something to show in the near future – maybe even a short Super 8 film to submit to some over-seas festivals. I need another reason to visit England!

Another thing on my mind that I’ve been thinking about for a long time, years in fact, is starting a Super 8 class or seminar or short course program. Give everyone a Super 8 camera, talk about the basics, learn the fundamentals, shoot some film, process it, transfer it to digital and host a viewing party. I wonder what the interest in something like that would be? Maybe I could even associate it with a school/university just to further the value of it – class for credit type of thing. Just an idea.

Finally, and this probably isn’t even worth mentioning because it’s nowhere near a fleshed out idea – but I’ve had a recent fascination with chairs. Chairs. I’m not sure why. I feel like I need to shoot a film about chairs.

Enough of this update. Next post will be something of more substance.

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The Good Soldier – Now online for free viewing

I finally was able to get The Good Soldier, the film I made in 2009, online.

The Good Soldier – A Super 8 Film from Aaron Gibson on Vimeo.

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DVD Art – DVD Coming Soon

Today I wrapped up the art work for The Good Soldier DVD. It took a bit longer than expected but I think it looks pretty good. Also, I came up with a special “Featuring Super 8 Film Technology” logo that I’m going to put on my future projects – and hope others will too – to identify the choice to shoot in Super 8.

So the next step will be to get my master DVD and art to the duplicating company. After that it will just be a matter of time before seeing the final product. The DVD contains English subtitles, chapter index, behind-the-scene slideshow, the theatrical trailer, and a link to online interactive content. And while I would have liked to include French and Spanish (and by recommendation, Portuguese) I unfortunately couldn’t get all of that done by my deadline. So instead, I will have to make some alternate versions in the future.

I will be hosting a special screening of the film later this month for cast and crew – it will be their first viewing of the film. Then on June 11th the film will premiere to the US at deadCENTER Film Festival.

Following that, who knows what?

I have another project that I’ve begun, relative to my experience with this film – it’s a writing project. Ok, I’ll be real, it’s book about Super 8 filmmaking. At this point it’s a young project which could fall off a cliff at any time…but we’ll see where it goes.

Also, I have a couple of other Super 8 film projects I’m working on. One I’ve entitle the “Physics Philm” project – it’s a project I started years ago but I’m hoping to breathe some new life into it.

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Super 8 Films – Oklahoma State Fair

I’ve been talking about this for some time so I’m finally getting some Super 8 films that I’ve shot out here. I’ve got 8 films total and I probably won’t put them all online but I am going to get all the State Fair ones out here. Keep in mind that none of these have sound. Super 8 film is silent. That is, unless you have a Super 8 *sound* camera AND sound film. It’s not the sound cameras that are so difficult to find but the sound film can be difficult and expensive. Not to mention that to transfer both the film image and the associated sound would cost – well, I don’t know how much it would cost but I’m sure it wouldn’t be cheap.

All film was transferred at mymovietransfers.com – and from what I see of the films I had transferred I am really excited about using them again for future projects.

So, a little bit about this first film (shown above):
This film was shot in Sept 2006. Every year my wife and I go to the State Fair and every year we make it a point to ride the giant slide. This year was no different. This film was shot by both of us. My wife shot the portion of me going down the slide – that’s me in the hat and glasses smiling at the camera after racing down the slide. The rest of the footage, I shot. This was B/W film and shot on my Zeiss Ikon Movieflex S8. It was a bright and sunny day so much of the images are a little overexposed. I’m sure I could up the contrast a bit in Final Cut (editing program) but I chose to keep it in it’s original unedited form.

This next film is from the State Fair – Sept. 2007.

I really like this one. It is the essence of what S8 film is all about to me. Rich colors, fluid picture, handheld camera feel, up close and real – filled with personality. This was also shot on my Zeiss Ikon Movieflex S8, this time using Ektachroome 64T film.

This film features several different elements of the state fair – the “freak” show tent, the unusual State Fair cuisine; fried Twinkies and Oreos, and a few of the lighted midway rides at dusk.

The two people in the film are Chris and Leah. Chirs is taking his first delicious bite of a fried Twinkie and then offers Leah a bite. I would note that Chirs went on to finish that Twinkie and followed it with a couple of fried Oreos. Shortly after that he was moaning with a stomache.

I especially enjoy watching the ride footage at the end and will probably shoot some more footage of rides in future films.

Hope you enjoy these two films.

~Aaron

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Riding Bikes


With everything else going on I’ve neglected updating this Super 8 blog. I received footage back from Lost In Light – a while ago – but have only recently been able to transfer it from DV tape into digital files broken down for the web. I am still in the process of segmenting and editing them but wanted to share some of the raw footage.

So I present to you a day from my childhood. The boy on the bike is me. The boy in short shorts chasing me is my brother Ryan and the baby being pushed around in the stroller is my youngest brother, Adam. The film was shot by my Dad with a camera he bought from JCPenny – a camera I still have and, yes, it still works!

We used to visit this church parking lot that was just across the street from our house in Oklahoma City. It was a great place to ride bikes – and run. I remember riding around that big parking lot – seemed like you could go as fast and as far as you wanted.

I have many more films to add but it will take some time.