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TCTCR – Single Frames

Take Care Tar Creek Revisited

These are some freeze frame from my recently processed and digitized Super 8 film; Take Care, Tar Creek (Revisited).

Shooting at 18 frames-per-second we can sometimes miss the individual frames.

And sometimes the frames in-between the “main content” and just as interesting.

A frame before the feature. Burn frame.
Digital title added over the natural color of the developed film.
My son on a chat pile at Tar Creek. From the short-form documentary “Take Care, Tar Creek (Revisited)” to be premiered at this year’s Tar Creek Conference, 2023.

I am still editing the final cut of this short form documentary – so still remains to be seen what the end result will be.

The first version was an in-camera version of the film produced specifically for a film festival called Straight 8 Film Festival in London.

This revised (revisited) version allows me the latitude to edit the pictures, the music, the narrative…everything. So quite a bit different than the original. I hope this will allow for a more comprehensive approach that will produce a more meaningful story and impact.

Frame capture of abandoned church in Picher, OK
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Revisited

Lisa and Aaron at the Cherokee Welcome Center in Vinita, OK after a day of filming in the Tar Creek region.

Photo by Rebecca Jim

Looking through the camera lens, it was a good day of filming. But it’s always hard to know exactly what you captured, whether it was in focus, if the light metering was correct, if the camera movement was too much, if there was some other crazy unknown issue with the film cartridge inside the camera, until you get it processed and see the actual pictures.

Chat and large mine tailings.

I took roughly 6840 photographs; thats’s two rolls of Super 8 film running at 18 frames per second (fps) for three minutes and ten seconds (3:10) each.

Bridge over Tar Creek. Chat pile in the near distance. Chat covering the road.

This footage will be layered into the original version of the film I created a year ago for the Straight 8 Film Festival in London, England. Unlike that project, this time I get to use all the magical tools of editing available to me. And I intend to do so.

Filming a highly polluted and toxic Tar Creek (Photo by Lisa).

I have some ideas about hand-drawn titles and illustrations that I’m going to play around with. If it works out, I hope to build on the original with more footage and broader story-telling strokes that will better express what Tar Creek has to say.

Me setting up a shot towards my subject (Photo by Lisa).
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Tar Creek Revisited

I have started working on a revised iteration of my Straight 8 film submission, Take Care, Tar Creek which will feature a newly edited and expanded version of the original film. The newer version will be in the same vein as the first version; same topic, same approach, with the narrative being told from the perspective of Tar Creek, itself. The working title for the time being is Take Care, Tar Creek (revisited).

Picher, Oklahoma. Northeast Oklahoma. Tar Creek Superfund Site

I have been invited to feature the film at the 2023 Tar Creek Conference in Miami, OK in October.

I have ordered some additional film; a couple of rolls of 50D Super 8 film from Pro8mm, and plan to drive to NE Oklahoma this weekend to shoot some additional footage.

This is all moving pretty fast, under the circumstances, but kind of makes sense for the way I work.

I’ve already started the revised edit of the new film. I think this version will be somewhere on the order of about 5 minutes in length. I have some behind the scenes footage from the first version (about a year ago), that I’m going to put online.